“Rolfe is the real deal, folks, and anything he writes is well worth checking out.” – Gord Rollo, author of The Jigsaw Man and The Crucifixion Experiments
When dreams start bleeding into reality, a social worker is forced to face the mistakes of his past.
A serial killer has found a way to make his land of graveyards a sinister playground to be bent at his sadistic will.
The secrets behind August’s eyes will bring two worlds together, and end in a cataclysm of pain and ruin.
Pre-order your copy in eBook, paperback, or hardcover here: AUGUST’S EYES
Glenn Rolfe is an author from the haunted woods of New England. He has studied Creative Writing at Southern New Hampshire University and continues his education in the world of horror by devouring the novels of Stephen King, Richard Laymon, Brian Keene, Jack Ketchum, and many others. He and his wife, Meghan, have three children, Ruby, Ramona, and Axl. He is grateful to be loved despite his weirdness.
He is a Splatterpunk Award nominee and the author of Until Summer Comes Around, The Window, Becoming, Blood and Rain, The Haunted Halls, Chasing Ghosts, Abram’s Bridge, Things We Fear, Boom Town, and the collections, Slush and Land of Bones. Look for his next novel, August’s Eyes, coming from Flame Tree Press in the summer of 2021.
We’re still pretty far out from the actual release (8.17.21), but I’m sure we’ll be chatting this one up in the not too distant furture. For now, here you go. I love this story and this freaking cover.
Patronage has fluctuated a bit since starting up, but we seem to be at a happy spot.
My goal was to get up to 25 patrons, but we haven’t gotten there yet. And that’s okay. I like the gang we do have.
I wanted to supply some strong content for you guys. I hope I have. I wanted to produce a new short story each month. Out of 10 months, I managed 8 stories. Not too bad considering I had to write and finish a new novel for my new publisher within a 3 month window (Until Summer Comes Around will land on your bookshelves this May!).
I started a serial novel (Bring Me to Life) for my $5 patrons, and I managed three chapters. We have plenty more on the way!
And I tried to give you some insight into the way I do my thing. I hope some of that writing advice helped you out in some way.
A number of patrons received signed print copies of the pre-Poltergeist Press edition of Blood and Rain, and those of you that have stuck it out with me for the majority of this thing will be receiving what I hope is an annual thing, my short fiction collection Nocturnal Pursuits. This collection is just for you guys (although some people managed to nab a copy while I had it up on Amazon for a quick minute). The book features all 8 of the stories from the Get Rolfed Patreon Short Story Series (“Hollowed”, “What’s My Again”, “Molly”, “Something in the Water”, “Orson’s Gas n ‘ Go”, “Bag Lunch”, “Everett”, “Gone Away” ) Plus, I tossed in some extras (“Master of Beyond”, “In the Basement of the Amazing Alex Cucumber”, “You Can Have it All Back”, and “Out of Range”). The book came out pretty well. I finally learned how to properly format a print book, so that was good! And using he Amazon cover creator was a really nice experience, as well.
For those of you NOT subscribing to my Patreon page, I am planning a wide release of the official (and bigger/better edited) edition of Nocturnal Pursuits probably sometime late 2020 or early 2021.
Overall, I feel like it was a successful first year.
For $5 a month, most of my patrons received at least one free signed paperback (Blood and Rain) and will be adding this exclusive signed paperback copy of Nocturnal Pursuits. They also receive the free short stories in eBook form with exclusive covers that I’ve created. 🙂
O yeah! and we did a giveaway for Patrons only. One of you won a copy of the Thunderstorm Books hardcover Exclusive of The Window !!!
The goals for 2020 remain the same: one new story per month. No less than one new chapter of the serial novel. A new piece on writing at least every other month, and more behind the scenes (early cover reveals, early rough draft chapters of works in progress-that sort of thing). I’d love to do a live q and A session sometime this year, but well see.
What’s on the horizon for $5 patrons in 2020:
Signed print edition of my next novel, Until Summer Comes Around
Signed print edition of the novel after that, Ascension Agenda (hopefully we get this one finished for a fall release)
Plus, we’ll be doing at least 2 giveaways for 1) a hardcover edition of Until Summer Comes Around and 2) another special edition hardcover I haven’t announced yet.
Signed EXCLUSIVE print edition of short fiction collection #2
For those of you considering joining, here are the tiers and what they entail
$1 or more per month
Access to bi-monthly personal essays offering writing advice
Behind the scenes looks at works in progress
Early cover reveals
Join $1 Tier
$2 or more per month
One free short story per month
Access to bi-monthly personal essays offering writing advice
Behind the scenes looks at works in progress
Early cover reveals
Join $2 Tier
$5 or more per month
For as long as you are a current Patron, you will receive free ebook copies of all new releases.
A free signed copy of all new paperbacks (US & CA only and excluding re-releases)
2019 is over (almost), so I thought I’d follow in the footsteps of some of my writer and reviewer buds, and give you my most anticipated books of 2020!
We’ll do top 5, since I’m sure there are plenty of books by writers I love that I am not yet aware of for the upcoming year.
AND AS ALWAYS.…click on the covers below to pre-order.
(DEVIL’S CREEK isn’t up yet)
Stephen Graham Jones is an outstanding writer. His coming of age werewolf novel, MONGRELS, is one of my favorite books of all-time. His collection, AFTER THE PEOPLE LIGHTS HAVE GONE OFF, is also one of my top collections ever. It is with baited breath that I await THE ONLY GOOD INDIANS.
Jonathan Janz is one of the most dedicated horror writers around. His two newest FLAME TREE PRESS books, THE SIREN AND THE SPECTER, and the amazing, THE DARK GAME, serve as proof that he is only getting better. There’s no reason to not think THE RAVEN isn’t a hit just waiting to be unleashed!
Todd Keisling is best known for his novellas and the fantastic UGLY LITTLE THINGS set of horror stories. I’ve been patiently waiting for this man and his piles of endless talent to deliver an epic horror novel…and the wait is nearly over! Thanks to SILVER SHAMROCK, we will be given Keisling’s next horror offering, the novel, DEVIL’S CREEK.
Adam Cesare is one of the most driven forces in the horror writing world that I’ve ever run into. His books, TRIBESMEN, THE SUMMER JOB, and VIDEO NIGHT rocked my horror loving heart. In terms of “new releases”, he’s been missing the last year or two. I figured he was up to something big, and I was right.
CLOWN IN A CORNFIELD will mark Cesare’s debut within the realm of Young Adult Horror, and I think he’s going to nail the heck out of it. Also, it’s coming from HARPER COLLINS, so expect a great push. And peep that rad cover!
Brian Moreland is one of my favorite writers of he last decade. His books, SHADOWS IN THE MIST and DEAD OF WINTER are amazing, and his novella, DARKNESS RISING, is a true horror gem.
Watching how well Moreland has worked historical periods within some of his stories, I cannot wait to see what he does with Ancient Egypt. TOMB OF GODS marks his first full-length release in a couple years, and I feel like I’ve been starved. Easily my MOST anticipated book of 2020.
I’m curious to see what we get in way of new releases from Patrick Lacey, Gwendolyn Kiste, and Ronald Malfi, too. Hopefully, we get something from each of them!
I left off the new King book, IF IT BLEEDS. I think that one goes without saying (even though I kind of just said it).
Anyways, I also have a new book on the way (May 21st from Flame Tree Press), if you dig love stories, coming of age, vampires, Old Orchard Beach, and all things 1980s, you’ll probably want to check out UNTIL SUMMER COMES AROUND.
When fifteen year old Rocky Zukas meets a mysterious dark-haired girl named November, his world is forever changed. The young couple falls under the spell of summer love, but not everyone approves. November’s brother, Gabriel, is the keeper of the family’s secret, and big brother is always watching, growing more sinister as his bloodlust gets the best of him. Directing his attention to Rocky’s family, Gabriel aims to make sure little sister knows who is in charge.
I’m busy writing my first book for my new publisher (Flame Tree Press) and will spend the rest of my time this year between my new Leisure Time with Glenn Rolfe column over at Cedar Hollow Horror Reviews (covering Leisure Books Horror novels), helping launch CELESTIAL SEEPAGE by Brian Fatah Steele (Alien Agenda Publishing), continuing work on SURVIVE WITH ME (the AAP charity anthology), and finishing up the follow-ups to BOOM TOWN and BLOOD AND RAIN.
The Flame Tree book will be out next year, and the BOOM TOWN follow-up would be released at the end of this year, at the earliest. In the meantime, you can get some fresh work from me for super cheap on a monthly basis….How? Let me tell you. In March, I launched my Patreon page and the Get Rolfed Short Story Series. Every month, Patrons receive a new eBook of that month’s short story.
In addition to the exclusive eBooks, Patrons get behind the scenes looks at my works in progress, early cover reveals, and essays on writing/publishing. That’s a lot of bang for a couple bucks—just $2 a month.
$5 Patrons get all that, plus eBook and signed paperback copies of all my future releases (US and CA residents only).
Happy to announce that I have signed with FLAME TREE PRESS for my vampire novel, UNTIL SUMMER COMES AROUND.
UNTIL SUMMER COMES AROUND
It’s Old Orchard Beach, Maine in the summer of 1986. The pier, the fries, the tourists, and the sunshine blazing high above the Atlantic. For fifteen year old Rocky Zukas, it’s when he sees the beach side town he calls home come to life. Gone are the long, cold, quiet nights of the off season, and here, like magic, returns the beauty and wonder of the city’s heartbeat.
This summer brings her.
When a mysterious, dark-haired girl named November walks into his world, Rocky’s life is forever changed.
A story of love, loss, betrayal, and the undead, ends in explosive fashion after sundown.
In the tradition of such modern horror classics as The Traveling Vampire Show by Richard Laymon and Ghoul by Brian Keene, Until Summer Comes Around proves once and for all…the monsters are real.
Look for UNTIL SUMMER COMES AROUND to be released in mid-2020.
And I am so happy to be back with family like this.
From my first viewing of THE LOST BOYS to reading Anne Rice’s THE VAMPIRE CHRONICLES, ‘SALEM’S LOT by King, THE NARROWS by Ronald Mafi, and LIVE GIRLS by Ray Garton, this one has been percolating for some time.
See the below video from my old band, THE NEW 45- “I Wanna Suck Your Blood”
Rumors of a deadly book have been floating around the dark corners of the deep web. A disturbing tale about a mysterious figure who preys on those who read the book and subjects them to a world of personalized terror. Jesse Wheeler–former guitarist of the heavy metal group The Rising Dead–was quick to discount the ominous folklore associated with the book. It takes more than some urban legend to frighten him. Hell, reality is scary enough. Seven years ago his greatest responsibility was the nightly guitar solo. Then one night when Jesse was blackout drunk, he accidentally injured his son, leaving him permanently disabled. Dreams of being a rock star died when he destroyed his son’s future. Now he cuts radio jingles and fights to stay clean. But Jesse is wrong.
The legend is real–and tonight he will become the protagonist in an elaborate scheme specifically tailored to prey on his fears and resurrect the ghosts from his past. Jesse is not the only one in danger, however.
By reading the book, you have volunteered to participate in the author’s deadly game, with every page drawing you closer to your own personalized nightmare.
The real horror doesn’t begin until you reach the end. That’s when the evil comes for you.
Brian Kirk is a man that writes like no other. His horror is psychological, complex, and freaky.
One man’s dark secret will come to light, and his life and that of his family will be on the line.
WILL HAUNT YOU is original and mind-bending. Not your typical horror novel, this one will turn your brain upside down and spin you right round, baby.!
Brian Kirk is a Bram Stoker Award®-nominated author of dark thrillers and psychological suspense. His debut novel, WE ARE MONSTERS, was released in July 2015. In addition to being nominated for a Bram Stoker Award® for Superior Achievement in a First Novel, WE ARE MONSTERS was optioned for film development by Executive Producer, Jason Shuman.
His short fiction has been published in many notable magazines and anthologies, most recently Gutted: Beautiful Horror Stories alongside multiple New York Times bestselling authors.
Find out more about Brian Kirk at his website: BRIAN KIRK: A JOURNEY OF THE IMAGINATION
I set out to become a writer the same year Samhain Publishing launched. When I saw the Leisure Horror Books head acquisition man, Don D’Auria, was at the head of this new horror line, I knew good things were on the horizon. And I was right. Don, introduced us to Kristopher Rufty, Hunter Shea, Russell James, and a guy named, Jonathan Janz.
The books from Janz came one after another–The Sorrows, The Darkest Lullaby, The House of Skin, Savage Species, Castle of Sorrows, Dust Devils, The Nightmare Girl, Wolf Land, and Exorcist Road before we all got the news that Samhain was a sinking ship.
Janz put out the excellent and much acclaimed, Children of the Dark, and also the much anticipated, Exorcist Falls with Sinister Grin Press before Don D’Auria landed with Flame Tree Press and called one of his favorite sons home.
Following Janz’s recent release with Flame Tree Press, THE SIREN AND THE SPECTER from this past September, we prepare for his next new release, THE DARK GAME (Catch my brief review of this awesome book after the interview).
I called on Janz to join us here at Share the Horror and he obliged.
Share the Horror: Let’s go back a few years. You were one of the first Samhain authors and had built quite a catalog in a relative short amount of time. When the news that Samhain had a) fired Don D’Auria and then shortly afterwards 2) folding up shop, what were your thoughts and emotions at hearing those two things?
Jonathan Janz: The news about Don was really a shock. He’s a great editor and a great person, so mainly I just felt really bad for him. After that, the news of the publisher going under wasn’t too shocking. I figured if they were letting Don go, they were probably hurting for money, so while it was sad for the employees—many of whom remain my friends—that second piece of news wasn’t as surprising.
As far as emotions go, in addition to feeling terrible for those more directly impacted, I did experience a lot of uncertainty about the future. Everything has worked out really well, but at the time it was a giant unknown.
STH: What did you do in the space between Samhain and then the start up of Flame Tree Press?
JJ: This sounds simplistic, but I just wrote. Even though I didn’t know where the books I was working on would end up, I knew I needed to keep writing. Fretting about events out of my control wasn’t going to be productive, so I threw myself into my work. So in the years between Samhain and Flame Tree, I wrote THE SIREN AND THE SPECTER, NIGHTMARE WORLD, THE DARK GAME, THE DISMEMBERED, and I began CHILDREN OF THE DARK 2.
STH: Let’s talk Children of the Dark for a second. This was a very well received book. It’s a part of your Savage Species (one of my personal favorites) world. I know your King influence bleeds through with this one, especially with Will Burgess. Whereas with Savage Species there was gore galore like a dark Ketchum novel or something from Richard Laymon, with COTD I get a lot of that THE BODY vibe. More about the characters and the heart of this kid rather than the all-out blitz style of its predecessor. Would you say that’s an accurate take? If so, was that intentional or did it just come out that way? JJ: I’d say that’s very accurate. With SAVAGE SPECIES, I wanted a no-holds-barred, bloody, grueling epic. With CHILDREN OF THE DARK, the story was largely, as you allude to with your reference to THE BODY, about the pain of growing up and the difficulties this kid was experiencing. So like you said, even though the stories are in the same universe, they’re very different animals. I realized this when writing the sequel to COTD. My initial idea was to combine the worlds of SAVAGE SPECIES and CHILDREN OF THE DARK, but that changed as I wrote the sequel. So while there are some intersections, the story really remained a COTD story and true to the tone of the first book. STH: So, Don and Flame Tree Press happens. Did he come to you, or were you guys in constant contact and it sort of just happened? JJ: We kept in contact. Not constantly, but I’d say every couple of months we’d email, and a few times we spoke by phone. The one thing we knew was that, wherever we landed, we wanted to work on more projects together. I got the news about Flame Tree when my family and I were in Virginia for Scares That Care in 2017. We were walking from a beach on the James River to our van when I checked my email and found out about Don’s new gig. I think I emailed him within a half hour or so, and we started talking about THE SIREN AND THE SPECTER. Since that story was set in Virginia, and I’d just wrapped it up, it was fresh in my mind and a natural first project to do with Don and Flame Tree.
STH: THE SIREN AND THE SPECTER, like COTD, feels like another step forward in your writing. As someone that has read almost all your published works, I feel like your growing more and more comfortable with each release, and with that becoming even more fearless as a writer. Does it feel that way to you? JJ: Thank you so much, Glenn! I truly appreciate that. Yes, it does feel like I’m progressing, but it’s an incredibly subtle and gradual progress. I’m fond of all my books, but I really noticed it a couple months ago when reading through HOUSE OF SKIN, which is the first novel I wrote (and the second one published). I really like the story, but I’m a very different writer now than I was then. It feels good, but I know I’m nowhere near a finished product and will never be finished in my writerly walk. I have to constantly strive to improve, to grow, and to learn. I’m too self-critical to ever be satisfied. STH: SIREN is landing on a lot of Top 10 lists right now, I know that’s gratifying. Do you let that good feeling linger and use it going forward, or are you more the type that is focused on that next release and coming at it with the need to prove yourself again?
JJ: Like you say, it is gratifying, and it feels wonderful to have one’s work acknowledged, but I don’t bask in that glow for too long. That need to create is too strong. And I also always want to make my next book better than my last. Hopefully, I did that with THE DARK GAME, and I hope to do it again with the titles coming in late 2019 and 2020. STH: THE DARK GAME comes out in April. I’m reading an ARC now, and I believe this is my favorite book of yours so far. How much fun did you have crafting the antagonist in this one? Without giving anything away, what were your favorite aspects of Roderick Wells to create and play around with? JJ: That’s so great to hear! I worked very hard on THE DARK GAME, so it’s awesome to hear you’re enjoying it. I had a lot of fun with it. The Roderick Wells character was at the center of the story, so I needed him to be all sorts of things: strong, elusive…incisive yet cryptic. He had to represent both writers and critics, both nurturing teachers and cruel taskmasters. Plus (and here, like you said, I’m trying not to give anything away), there are elements of his character that aren’t revealed until later. That means I have to play fair with the reader by hinting at those unexpressed character elements without completely revealing the character’s secrets. Walking that tightrope was a challenge, but it was a rewarding one. I think the aspect of Wells’s character I enjoyed the most was his love of power and how he reacted when that supremacy was threatened. There are some exchanges between him and a character named Sherilyn that were a blast to write. STH: There’s a lot of writers in here. I’m imagining that there are aspects of your own strengths and self-perceived weaknesses in each of these characters. At this stage in your career, with regards to your writing skills, what do you see as your best assets and what areas are your constantly targeting to improve upon? JJ: Wow, that’s extremely insightful! Yes, you do get some of that in the novel. Rick Forrester, for example, is a lot like me before I got anything published. He’s been rejected, told he’s not good enough, and basically dismissed. Like Rick, I once received a very chilly reaction from the head of a collegiate writing program, so that experience made its way directly into the novel.
Regarding the second part of your question, this doesn’t sound sexy, but I think my best assets as a writer are my support network, my willingness to learn, and my work ethic. My wife and kids always provide me with a bedrock, so I know that when a story isn’t going well or I face some other kind of adversity, what really matters—my family—will remain intact. I’ve been teaching for twenty-three years and teaching Creative Writing for seventeen of those, and I believe these experiences help me to remain grounded and focused on growing. Just as I’m helping my students evolve, I’m evolving too. I also never quit. Because that option is never on the table, I concentrate on ways to solve problems rather than allowing them to defeat me.
With regard to areas of improvement, I want to keep getting better at blazing new trails. Horror is a vast realm, and there are many untouched or rarely-trod areas in the genre. Therefore, I want to constantly aim to examine those and maximize their potential.
STH: One last thing, before we go. Looking back on THE CLEARING OF TRAVIS COBLE, which has remained one of my very favorite stories you wrote, what are your thoughts and memories on that story and its release? JJ: I’m so glad you liked that one! That story was a major moment of growth for me because it forced me to use dialogue to carry a story. Yes, there’s description; yes, there are the other essentials of storytelling. But it’s the dialogue that reveals character, that unveils plot twists, that adds mystery and depth. I had to develop my dialogue-writing skills in “The Clearing of Travis Coble,” and looking back, I view that exercise as a moment of profound growth for me. Thanks again for mentioning it!
STH:I love it and THE DARK GAME, so I will keep praising them from the mountains! Thanks for taking the time, good sir.
JJ: Thank you, Glenn. I had a blast!
Jonathan Janz is the author of more than a dozen novels and numerous short stories. His work has been championed by authors like Joe R. Lansdale, Brian Keene, and Jack Ketchum; he has also been lauded by Publishers Weekly, Library Journal, and School Library Journal.
His ghost story The Siren and the Specter was selected as a Goodreads Choice Awards nominee for Best Horror. Additionally, his novel Children of the Dark was chosen by Booklist as a Top Ten Horror Book of the Year. Jonathan’s main interests are his wonderful wife and his three amazing children.
You can sign up for his newsletter, and you can follow him on Twitter, Instagram, Facebook, Amazon, and Goodreads.
Quite possibly Janz’s best work yet. His skills continue to sharpen, and it really feels like he’s comfortable as hell behind that keyboard now. There’s a piece about fearlessness in this book, and I think it’s safe to say Janz is feeling just that-fearless. This was by far my favorite cast of characters in any of his books, and the story read like something straight out of the Leisure Books Horror Club heyday!
THE DARK GAME is a horror gem.
Catherine Cavendish is the British author of THE PENDLE CURSE, WAKING THE ANCIENTS, and many more. She’s got a thing for Gothic tales and writes a damn near perfect one herself. Her latest release, THE HAUNTING OF HENDERSON CLOSE (Flame Tree Press, Out January 10th!) , adds to her growing legacy of wonderful ghost stories.
She sits down for a quick chat with Share the Horror to talk about the new book and her new publisher, Flame Tree Press.
Share The Horror: What’s done is done. Samhain Publishing implodes, you did well for yourself between that happening and now, landing back with our bud, Don D’Auria, you’ve found a home with Flame Tree Press. Congratulations!
Let’s talk about the new book, THE HAUNTING OF HENDERSON CLOSE. It’s a fabulous read. When did you start writing this one and is there any of the stories “history” that is based of real life? Catherine Cavendish: Thank you. Yes, I’m delighted to be working with Don again and impressed with Flame Tree Press.
As for THE HAUNTING OF HENDERSON CLOSE, the location is inspired by one of Edinburgh’s leading tourist attractions – The Real Mary King’s Close – which is located on the Royal Mile, in the city’s Old Town, between Edinburgh Castle and Holyrood Palace. Edinburgh was built on a granite rock and over the centuries became so crowded, they had to build upwards and as close together as possible – hence the creation of the Closes. The buildings were several stories high, and were effectively the world’s first skyscrapers.
As time went by, the richer folk moved out to the newly built New Town and the Closes became poorly maintained tenements. I reference all of this in my story. In common with my creation of Henderson Close, The Real Mary King’s Close is reputed to be extremely haunted. It’s a fascinating and spooky place to visit. I’ve been there at least three times and will be going back. Likewise, some scenes occur in Greyfriars Kirkyard which is real and has many legends associated with it – including the infamous Mackenzie Poltergeist. STH: I loved the way you flawlessly and seamlessly went back and forth to the past and present day within the story. I know some authors get off track. I’ve read stories where the back and forth is jarring and I find myself wanting to get back to the present story line. Yours was done extremely well. Do you find that an easy thing to do in a book? How much attention do you place on making sure it doesn’t take away from the current story you’re trying to tell? CC: I have always been comfortable writing about the past – in some ways more than the present. I’m one of these nerdy types who actually enjoys doing the research to get historical details as accurate as possible, although I do try and avoid getting too bogged down in it where the story is concerned. It does help me to have the back story in my head when I write though. It’s a balancing act and I have to stop myself getting so wrapped up in the historical bit that I neglect the present day. I have to remind myself
that the past is generally there because it is influencing what is happening in the present. STH: Who was your favorite character to write in this one and why?
That’s a tough one. I probably felt closest to Hannah because of where she is in her life, but I have a real soft spot for Miss Carmichael who was quite courageous in her own quiet way. George is a great guy I would love to have as a friend and go for a ‘wee dram’ with. Mairead was fun to write because, of all of them, her character is the most complex. Donald Bain was a nasty piece of work so I enjoyed writing him too. I haven’t done very well with this question, have I? 😉 STH: Ha! No worries. You did a fantastic crafting each of them. I can see how it’d be hard to choose.
For me, you’re the current queen of Gothic ghost tales. Would you ever consider switching it up, trying a slasher or vampire or werewolf story, or are you quite comfortable in your lane?
CC: That’s kind of you to say. I am up against some tough competition for that title ☺. I will confess that I don’t feel comfortable delving too deep into slasher territory – although there is some violence in my stories, where the story warrants it. I think others write that type of graphic horror much better than I do. I’m talking to one just now, aren’t I?
Ditto with vampires and werewolves. I don’t exclusively write Gothic but do feel very much at home among the shadows, the darkness and all things ghostly…
STH: I know Don always wants to know what we have for him next. So, I know this book is just coming out, but is there another story ready or in-progress that we might see on the Flame Tree line?
CC: Well, there is a novel I have recently completed…
STH: Thanks for the quick chat, Cat. Much luck and success for you and THE HAUNTING OF HENDERSON CLOSE.
CC: Thank you so much, Glenn. Always a pleasure to chat with you.
Grab your copy of THE HAUNTING OF HENDERSON CLOSE here:
Hello, my name’s Catherine Cavendish and I write horror fiction – frequently with ghostly, supernatural, Gothic and haunted house themes.
Out now- from Kensington-Lyrical – the third in a trilogy – DAMNED BY THE ANCIENTS – set in Egypt and Vienna and featuring the sinister Dr. Emeryk Quintillus whose obsession has stayed with him past the grave. This completes the NEMESIS OF THE GODS trilogy which started with WRATH OF THE ANCIENTS, followed by WAKING THE ANCIENTS.
My novellas COLD REVENGE, MISS ABIGAIL’S ROOM, THE DEMONS OF CAMBIAN STREET, THE DEVIL INSIDE HER and THE SECOND WIFE have now been released in new editions by Crossroad Press.
My novels THE DEVIL’S SERENADE and SAVING GRACE DEVINE have also been released in new editions by Crossroad Press, as have my novel of the Lancashire Witches – THE PENDLE CURSE – and my novellas, LINDEN MANOR and DARK AVENGING ANGEL.
I live with a long-suffering husband and a delightful black cat who has never forgotten that her species used to be worshiped in ancient Egypt. She sees no reason why that practice should not continue.
Our home is in a rambling building dating back to the mid 18th century, haunted by a friendly ghost, who announces her presence by footsteps, switching lights on and strange phenomena involving the washing machine and the TV.
When not slaving over a hot computer, I enjoy wandering around Neolithic stone circles and visiting old haunted houses.
Ever since the Leisure Books Horror Club sent me his novel, The 13th, I have been a huge fan of John Everson’s. His style is no bull, straight at ya, good old fashion horror. There’s always blood, guts, sex, monsters, and usually, beer.
With his latest THE HOUSE BY THE CEMETERY (Flame Tree Press), Everson continues his run of fun horror novels that will get under your skin and make it hard to sleep.
THE HOUSE BY THE CEMETERY is about a haunted house where witches had sacrificed and sliced and diced folks back in the day. Now, a new owner wants to turn this haunted shell into a full-on bloody house of horror attractions for Halloween.
The main character in the book, Mike, is a contractor brought on to repair the rotting floors and secure the place to make sure it’s safe for the thousands of expected attendees.
But is the house truly empty? Or is there something patiently waiting for all that is coming.
You’ll have to read it yourself to find out!
While I did prefer the fantastic first half of the book ( and the end of the first part really had me on the edge of my seat and needing to know what was going to happen), the second half, while bloody and full of nice death scenes, lost a little of the momentum for me.
All in all, THE HOUSE BY THE CEMETERY is another solid effort in the Everson canon. There’s plenty of wicked fun for all you horror book lovers out there.
I give THE HOUSE BY THE CEMETERY 4 stars!
John Everson is the Bram Stoker Award-winning author of the novels Covenant, Sacrifice, The 13th, Siren and The Pumpkin Man, all released by Dorchester/Leisure Books in paperback and by Delirium, Necro and Bad Moon Books in limited hardcover. His sixth novel, NightWhere, was a 2012 Bram Stoker Award Finalist. The Family Tree, NightWhere and Violet Eyes, his “creepy spider novel” were released from Samhain Publishing. In January 2017, Redemption, the long-awaited sequel to his novels Covenant and Sacrifice was released. His 10th novel, The House By The Cemetery will be released in October 2018 from Flame Tree Press.