(Share the Horror Interview) CHAD LUTZKE and JOHN BODEN on Their New Release, OUT BEHIND THE BARN

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The boys crept to the window and watched as Miss Maggie carried the long bundle into the barn, the weight of it stooping her aging back. Rafter lights spilled from the barn doors, and Davey saw an arm fall from the canvas-wrapped parcel. He smiled.

“She got someone!”

Both children grinned and settled in their beds, eyes fixed to the ceiling.

This was family growth.

 

I recently caught up with authors Chad Lutzke and John Boden to talk about their excellent new book, OUT BEHIND THE BARN (See my review here).  It’s equal parts horror and dark fairy tail, and well worth your time.

 

First off, let’s talk about your starts. How did each of you get into writing and when did you sell your first piece?

Chad Lutzke:  I only read like one book (THE HOUSE WITH THE CLOCK IN ITS WALLS) until I was in my early 20s.  I hated reading and stayed clear of it unless it was Fangoria, Famous Monster of Filmland, some metal magazines or Maximum Rock & Roll––stuff with pictures and articles.  Then in my mid 20s I went to college to be a teacher, sucked at writing and decided to finally start reading.  This was in the mid-to-early 90s. Everything I learned about writing was just from reading. Not any class. I read a ton for a few years and tried my hand at writing a handful of stories that turned out pretty good, but then never wrote again (other than song lyrics) for another 2 decades. I wish I would have stuck with it. Finally, I found out about people self publishing and indie publishers and all that and decided I was going be writer. That was in 2014. I had some stories published through some “exposure only” markets and that same year I sold my first piece as well as won 1st place in a small short story contest with a cash prize. It kept me from stopping for another 20 years.

John Boden: I wrote throughout my high school days and off and on after, but I sort of gave it up completely during my twenties. I only went back to it after Ken Wood asked me on board with SHOCK TOTEM. Reading all that slush was inspiring, as much as was meeting other writers, including some I had read as a teen.  The first piece I ever sold was a story called “Peter Peter” and it went to Sideshow Press for the BLACK INK HORROR #7. It’s not a great story but I was thrilled to get it in there. Before that there were a few non-paying markets that put out stuff of mine.

 

What’s your personal favorite piece you’ve written?

Lutzke:  As far as books, probably SKULLFACE BOY.

Boden: That’s always a tough one, I personally think SPUNGUNIONIt was out briefly last year and will be seeing new life next year from John Skipp’s Fungasm imprint. Maybe folks will check it out and let me know if I’m correct in thinking it’s kinda cool.

 

What books by your co-author other really stands out?

Lutzke:  John’s JEDI SUMMER is wonderful…loved every bit of it, but he wrote a weird western called WALK THE DARKNESS DOWN that is my favorite. He found a home for it but I think that’s still a secret so I can’t say anything more.

Boden:  I’ve been reading Chad for the last, what? Almost 3 years…We read almost everything the other writes. We’re beta buddies. He’s written a lot of great stuff and he’s only getting better. So far my fave would be SKULLFACE BOY. It scratches all the itches: the coming-of-age itch, the weird characters itch. The sad/melancholy itch. It’s wonderful!

I know we talked privately about this. Your styles blend really, really well together. I was not shocked in the least that OUT BEHIND THE BARN is so good.   Will we be seeing more collaborations between you two? And if so, is there one already in the works?

Lutzke:  Thanks! We had started something a few years ago that I don’t know if we’ll ever revisit, but we have talked about writing together again…maybe even a yearly novella. The thing we did came together easily enough to entertain that idea.

 

Boden: I wouldn’t say one is in the works, but I’d definitely say you’ll see one or more in the future. Chad wants us to commit to doing a collaborative novella every year. I can’t or have trouble doing that. I’m always worried about making those kind of pacts, life, day job and things always have a way of derailing the best laid plans and I absolutely hate disappointing people. I’m pretty sure we’ll cross the streams again one day though.

 

Let’s talk about the new book.  This story came from one of John’s short stories. Chad when did you decide the story had more to it and when did you step in and start working on the project?

 

Lutzke:  As soon as I read it I thought it needed more and I tried talking John into expanding it. He said he tried but felt he was ruining it.  The story kept getting rejected so finally he’d kinda had it and handed it to me to toy with. I wrote some, tossed out some ideas about creating some new characters and scenes, but I wanted to keep the very end pretty much the way he had it.

John, how did you feel about Chad’s thoughts and ideas for this thing?

Boden:  If I’m honest, and I am, I was a bit uptight about it. Probably more so a dick. I kinda of pissed and moaned about his ideas and really didn’t want anyone meddling with my story. But Chad is nothing if not stubborn and he kept at me, and when he sent me his first portion, with his changes, I began to warm. I never really stopped being nervous until we neared the finish line though. Chad and I share a very unique bond. We get one another in an almost spousal way, it made for a very tight collaboration and a gel in voices that was amazing. I’m a good mimic, I’ve written with folks before and they’ve all gone this way, but with Chad it went a slice deeper.

Was it easy to work together in this?  I don’t think I could ever write a book with someone else, it’s such a personal private thing. Did that ever make it hard for either of you?  Did either of you hold back or feel at any time that the other was holding back?

Lutzke:  It was easy, though at first we both had different ideas on how Maggie should be.  That character was all John’s and it was important to him that she not be this evil villain but wanted the reader to have some empathy for her. Once I was able to see that character through his eyes then the rest flowed really well.  The hardest part, honestly, was trying to come up with an attractive synopsis that didn’t give anything away. We kind of hit a wall for a while on that.  As far as writing this together, John was worried at first because some parts of the original story were very personal to him and here he was handing it to me “Here, you feed this baby.” It’s one thing to enjoy another writer’s work, but it’s another thing to have them touch something you’ve created that has sentimental value. I respected that the whole way through, to the point that I even emulated John’s style in some scenes, so much so that even he had a hard time remembering if he’d written it or not. It’d be difficult for anyone reading it who is familiar with both our work to be able to tell who wrote what.  And by the time we were done, John was really proud of it.  We both were.

Boden:  I touched on this in the answer above but I’ll state again. It was difficult for me, not because I had little faith in Chad. I knew he knew what we needed to do. But I was all “Dammit, I wrote this story, these are my characters, I can’t let the leash into another’s hand that easy.  I know I pissed Chad off on more than a few occasions.

The story is fantastic. You have the two “brothers” who love to read or be read to, and the books they love are mostly darker Poe and Lovecraft type books.  I’m guessing the love for these books and authors mentioned are favorites of yours.  Reading along, I just thought it was another neat way to slip in another layer of the dark side into what reads like an almost fairy tale type story.  That’s something I really love and appreciate from each of your works that I’m familiar with, they almost transcend horror yet you manage to tether them to our genre with these neat little add -ins.  Is that intentional at all?  Or do these dark things just bleed out into the story naturally?

Lutzke:  Good question. For me, I love the horror genre, but I’ve grown tired of old tropes decades ago so I shoot for original concepts. But it’s not forced. It just comes. I think it’d be harder for me to write something completely traditional than it would be to come up with something like a kid who leaves his rotting mom at home while he attends a spelling bee. Though, coming up with those types of concepts sometimes raises an eyebrow before they get to reading.  When I told my wife the idea I had for OF FOSTER HOMES & FLIES she looked at me like I was nuts, and rightly so. The elevator pitch for that book feels like it shouldn’t work, but people seem to like it. Same goes for SKULLFACE BOY and even STIRRING THE SHEETS. But in every one of them, the darkness does dwell and I suppose that’s because it has bled out. I never really set out to write something that is “borderline” horror and then feel like I need to add some horror element just to make it horror.  My thing is when I started writing I wanted to be Joe Lansdale and Robert McCammon, authors who are adored by the horror community but who write a ton of non-horror stuff.  I mean, who else can get you to read a western or a period piece more than those guys?  You can’t put them in a box and I didn’t want to be put in one either. I will add this. John and I joke with each other about how often our stuff is full of heartache. That’s never on purpose. It just happens. But it happens so much it’s almost comical. I think we’re both empathetic people who have experienced some things that maybe we’re continually feeding on when we write and it’s therapeutic. But you could probably say that about most writers. I hope that answered your question in some roundabout way.

Boden: I grew up adoring books and horror. In almost anything I write, if there’s a kid in it, it’s little Johnny.  And in this one Maggie was a helluva a lot my Mom.  I write very personal and I think the book love, especially in this was important to show that.  It somehow makes them real and gives an instant connection…if you’re reading this in the first place, chances are you’re familiar with and at least appreciate Bradbury, Poe and the others we lace in there. So when you read that, you’re inner giddy fan gets to fidgeting.  It’s kind of like cheating for a little extra bump of love.

What are some of your favorite pieces to this story that your co-author brought in? Can you give us a specific scene or subtle touch?

Lutzke:  The very end, which for the most part is the same end as the original short. It hit me pretty hard when I read it and I think I kind of choked up a little. I eventually read it out loud to my wife and when I got to the end I had to keep my cool or my voice would have gotten a little shaky and she probably would have laughed.  She knows I’m a softy. Also, there’s a paragraph in there that’s sandwiched by the line “Summer was sliding away, like carrion from bone.” I love that.

Boden:  I wanna be careful not to spill any beans, I think Chad’s addition of the character Rose was a smart one, and a great move…and also one that I initially pitched a hissy over. Sometimes it’s good to be wrong.

I won’t ask about the ending because I don’t want to spoil that for anyone.  Is it something you guys intentionally did. Did you want the reader to fill in any of the blanks there? Or is that just the way it felt best to close the door for you guys?

Lutzke:  Personally, I hate being spoon-fed, and I love stories and films that leave me wondering, and giving me just enough to maybe come up with my own conclusion, yet still wonder if I’m right. I felt the very last line in the story was like a shovel to the face and to add anything after such a powerful line I thought would take away a moment that held such emotion. Here you finally find out exactly what is going on, and there is resolve for characters you really care about, and anything that kind of leaves you on a note like that can have a very powerful sustain, where you’re just thinking about it long after you’re done reading it. That’s what we were going for.

Boden: The ending is exactly as the short story ended, final draft that is. I had an earlier version that ended on a different beat but I cut it.  I’d love to expound more but I don’t want to spoil things for any who’ve not read it but ending it that way, was important. It put the focus where I/we wanted it to be.

Anyways, the story and characters are terrific. You guys are amazing writers.  Is there anything you want to say to people considering picking up a copy of OUT BEHIND THE BARN?

Lutzke:  Thanks for considering it. We had a lot of fun writing it. And if you’re already familiar with our stuff then I don’t think you’ll be surprised at the contents.  Also, I really appreciate these questions you created, Glenn. I’m sure you know as well as we that the best interviews are the ones that didn’t come from a template but are personalized, so thank you!

Boden:  I think the simplest and most honest thing I could say to those folks is: I hope you’ll take a chance on it and I hope you’ll like it. We’re very proud of this little book and the world we built within it.

 

Praise for OUT BEHIND THE BARN:

“Boden and Lutzke weave heartache and a backwoods tale as easily as telling a story around a campfire, delivered in an incredible voice.” ~Robert Ford, author of BORDERTOWN

“Poetic, unnerving, and heartbreaking. The partnership between Boden and Lutzke yields the kind of story that leaves you aching and unsettled. Long after finishing, I couldn’t stop thinking about Maggie, her boys, and what happens out behind the barn.” ~ Kristi DeMeester, Author of BENEATH

“Lawdy mercy. This story was amazing. There’s something magical and sad about it. I dig it a lot.”~ Michelle Garza (half of the Sisters of Slaughter) authors of MAYAN BLUE & THOSE WHO FOLLOW

OUT BEHIND THE BARN is available now!  Grab a copy HERE

 

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John Boden lives a stones throw from Three Mile Island with his wonderful wife and sons.

A baker by day, he spends his off time writing, working on Shock Totem or watching M*A*S*H re-runs.

He likes Diet Pepsi, cheeseburgers, heavy metal and sports ferocious sideburns.

He is the author of JEDI SUMMER with the MAGNIFICENT KID, SPUNGUNION, and DOMINOES, and more

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PRAISE FOR JEDI SUMMER

“Jedi Summer drops the floor right out from under you, leaves you standing in a childhood that’s been roiling around inside your chest for too long. But you’d trade anything to stay there just one more day.”
– Stephen Graham Jones, author of Mongrels 

“[I] could not put it down. It moved me more than any novel in recent memory. Highly, highly, highly recommended, and I’m almost certain it will be one of the ten best books I’ll read this year.”
– Brian Keene, award winning author of the The Rising

 

 

 

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Chad Lutzke lives in Michigan with his wife and children. For over two decades, he has been a contributor to several different outlets in the independent music and film scene, offering articles, reviews, and artwork. He has written for Famous Monsters of Filmland, Rue Morgue, Cemetery Dance, and Scream magazine. He’s had a few dozen stories published, and some of his books include: OF FOSTER HOMES & FLIES, WALLFLOWER, STIRRING THE SHEETS, SKULLFACE BOY, and OUT BEHIND THE BARN co-written with John Boden. Lutzke’s work as been praised by authors Jack Ketchum, James Newman, Stephen Graham Jones and his own mother. He can be found lurking the internet at www.chadlutzke.com.

 

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PRAISE for SKULLFACE BOY

“I was captivated by the first sentence…The pages fly by. I was utterly absorbed into the world of this transient teenager and his endearing, poignant and often hilarious take on every situation.”
~Cemetery Dance

“I’ll summarize with this: Chad Lutzke is an author to watch. With SKULLFACE BOY, he’s moving up on my favorite author’s list!” 

–Char’s Horror Corner

 

 

Forever October by Michelle Garza

Check out this piece by Michelle Garza!

Ink Heist

FOREVER OCTOBER

October is my favorite month, not only for the horror love getting amped up but because the season bares some strange and mystic fruit of times long gone, it implores us remember our dead and in the wind change can be felt climbing up your back to whisper in your ear the tragedies of the past and mysteries of the future. It’s a time when the veil between worlds grows thinner and threw it slips visions of other realities, shadows of beings unhindered by flesh and bone, and echoes of times that never existed here. It’s a time when myth melds with reality and old wives’ tales grow legs and walk the earth. During the whole month there are more than just frights in store but trickery and witchcraft, creating an atmosphere of living in the pages of a Grimm fairytale. It’s also the perfect time to grab…

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Music from the Original Motion Picture Soundtrack: THE WINDOW, a guest post by Glenn Rolfe

My latest guest post!

Zakk Madness, The Eyes of Madness

“Ex Libris The Eyes of Madness, simple reviews from a simple reader…”

Today I have the pleasure of being joined by Glenn Rolfe, an writer who has been entertaining me for a few years now, since his first release The Haunted Halls. With the release of his latest, The Window, Glenn shares a part of his process, his ritual. Some writers pop a bottle of champagne after completing a manuscript, others compile a playlist.

Glenn, the mic is yours.

Music from the Original Motion Picture Soundtrack: THE WINDOW

One of my favorite things to do after finishing a novel is to put together the soundtrack. I have a nice little pile of these babies in my “playlists” on my Kindle. Music always plays a huge part in my storytelling, I use it to help set the mood and tone of certain scenes, and to help give you a little insight…

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THE WINDOW on sale for 99 Cents.

For the next few days, get my latest novel,THE WINDOW, for just 99cents.

A coming of age novel with demonic possession, The Window is my most personal work yet.

I’m taking part in the Author -Invite group read art Horror Aficionados (GoodReads). Join us here : https://www.goodreads.com/topic/show/19548778-october-2018-group-read-2-with-guest-author-glenn-rolfe

  • Rolfe delivers a chilling tale of demonic possession that keep you turning the pages all night long.” – Russell James, author of Q ISLAND 
  • “Never gonna look in a mirror or out a window again! Deep and rich with meaning, and even if all you’re hoping for is a strong scary story-THE WINDOW will surely scare your socks off!” – The Haunted Reading Room
  • “Rolfe had already arrived in the horror world before THE WINDOW. Now, he will take a step up into the next echelon of horror greats and it will be completely deserved off of this masterpiece.” – Kendall Reviews

 

Grab a copy here : mybook.to/TheWindow